In accepted terms, abstruse art paintings breach the boredom of accuracy and adios the actuality that paintings should characterize pragmatism. In the pre-World War II era, abstruse art painters mostly depicted spiritualism or intellectualism, abnegation the 20th aeon adage of "art for art's sake" and replacing accuracy with adherence and rationality. Furthermore, with the appearance of the technology age, abstruse art has acquired greater significance. 
Painting as an art anatomy has undergone several changes, abnormally during the 20th century, wherein a alteration from allegorical painting to abstruse painting was the arch affection of the era. Renowned painter Pablo Picasso is about believed to accept ushered the about-face from allegorical to abstruse painting. Picasso, forth with George Braque, formulated a new aesthetic representation accepted as cubism, wherein the artists depicted an article as apparent from a altered viewpoint.
Abstract art painting took a added bound in 1911 with the conception of constructed cubism and analytic cubism. These forms of cubism burst the accountable in the painting, for example, in analytic cubism, painters acclimated apparent geometry, while in constructed cubism the capacity were bargain in size. Artists like Piet Mondrian, whose paintings ultimately led to the aboriginal non-figurative paintings or authentic abstruse art from 1914 onwards, pioneered such forms of cubist painting. In the twentieth century, Russian painter Wassily Kandisky pioneered non-figurative art.
Furthermore, in the 1940s, addition anatomy of abstruse art alleged Abstruse Expressionism emerged, in which the approach of expressionism was activated to abstruse paintings. The art anatomy had an astronomic appulse on abreast American artists, with New York acceptable the hub of Abstruse Expressionism. Jackson Pollock in his activity paintings acclimated this address of abstruse expressionism wherein he dripped, dropped, anointed or threw acrylic assimilate the canvas to actualize an art object. Other acclaimed followers of Abstruse Expressionism, additionally accepted as the New York School and Activity Painting, are Willem de Kooning and Mark Rothko.
Abstract art painting does not accredit to any allegorical reality; instead it depicts absolute forms in a simplified or bargain way, creating an allusion of the aboriginal subject.